In a way, composing on the melodic level is an expression of a melodic truth, almost like a geometric truth. If it has clarity, other people will recognize it. There's no way of isolating it in a gallery on a white wall and saying, "This is a work of art. This is a mathematical proof."

The most appealing part is the feeling of learning something true - the pleasure of a truth. For me, that's mostly found in philosophical literature at the moment.

In a way, composing on the melodic level is an expression of a melodic truth, almost like a geometric truth. If it has clarity, other people will recognize it. There's no way of isolating it in a gallery on a white wall and saying, "This is a work of art. This is a mathematical proof."

Who approaches collaboration with agenda in terms of content? The agenda is only in terms of process, which is generosity, listening, careful thinking.

When you sit with people and you can hear what they're hearing, that's quite interesting.

I believe that music should be grown on trees, to be plucked like a fruit without the extravagance of harvest.

When you're listening to music, you listen to it with a friend one day and it sounds one way. You listen to it with another friend the next day, and it sounds a little different. Sometimes the greatest pleasure of listening is not the music that you're listening to; it's the person that you're listening to it with.