The Garden En robe de parade. - Samain Like a skein of loose silk blown against a wall She walks by the railing of a path in Kensington Gardens, And she is dying piece-meal of a sort of emotional anaemia. And round about there is a rabble Of the filthy, sturdy, unkillable infants of the very poor. They shall inherit the earth. In her is the end of breeding. Her boredom is exquisite and excessive. She would like some one to speak to her, And is almost afraid that I will commit that indiscretion.

No picture is made to endure nor to live with but it is made to sell and sell quickly with usura, sin against nature, is thy bread ever more of stale rags is thy bread dry as paper.

What matters is not the idea a man holds, but the depth at which he holds it.

The natural object is always the adequate symbol.

Song in the Manner of Housman" O woe, woe, People are born and die, We also shall be dead pretty soon Therefore let us act as if we were dead already. The bird sits on the hawthorn tree But he dies also, presently. Some lads get hung, and some get shot. Woeful is this human lot. Woe! woe, etcetera.... London is a woeful place, Shropshire is much pleasanter. Then let us smile a little space Upon fond nature's morbid grace. Oh, Woe, woe, woe, etcetera.

Democracy is now currently defined in Europe as a 'country run by Jews,'

The real meditation is ... the meditation on one's identity. Ah, voilà une chose!! You try it. You try finding out why you're you and not somebody else. And who in the blazes are you anyhow? Ah, voilà une chose!