We all exist in similar systems that mirror and reproduce the same American culture for the most part. What Oscar Wilde said about the lucky author who has a non-literary day job no longer holds, if it ever did. Artists seek validation as much as they seek money. The creation and invention of culture and canon is where most of the trouble lies.

I push back against a deeply-entrenched tendency in American culture to label quickly and no longer even examine the labels that were initially stamped on a person. I don't have a problem with any of my "hyphenated" biography - I don't have any problem with that at all. The world would be a better place if our thread of hyphenation were truly embraced beyond mere naming and category.

We fall into the old stuff of textuality, and almost everything becomes safe because nobody wants to talk about what is not safe in poetry. We fall back on the psychologic, the ethnic, the quota, and serve the perpetuation of the machine.

One can say that the disaffection is still a lingering naiveté about, not the place of poetry in the world, but - how to say this - the moral and intellectual presence of poets in the world. And while this may seem an old conversation to many poets who roll their eyes and say, "Here we go again about the function of poetry," I think that conversation, about poetry as an engaged art in a world that is full of regression or still lacking in progress, is still really not well-developed. It's almost an avoided conversation.

Even the art of quoting is a conservative art most of the time, in order to propel the same ideas and the same self-congratulatory importance.

We all exist in similar systems that mirror and reproduce the same American culture for the most part. What Oscar Wilde said about the lucky author who has a non-literary day job no longer holds, if it ever did. Artists seek validation as much as they seek money. The creation and invention of culture and canon is where most of the trouble lies.

Poetry at large in America is naturally a reflection of the American system and culture. That's my possibly narrow view of it, or reductive view. But I think for as many portals for critical consciousness in the poetry world and in the American spirit that exist, there's also an over-arching, dominant mirroring, in poetry, of the corporate structure, the capitalist enterprise.