What some of the early horror genre masters knew, and what I know, is that the audience are perverts, but in the best possible way.

I really don't like to go for the stereotypes. I try to give you characters that you don't know until you get to know them, and [decide] how you should feel about them.

Maybe because I'm a child of the 80's, but for me a sequel is a story that follows the previous one, and sometimes if you haven't seen the original then you don't understand the second one.

I need to create a whole cinematic experience. I think that's what it takes to get the audience to the theater and justify seeing [a movie] on a big screen. You have to give them a cinematic experience.

I don't want to spoon-feed the audience, like, "This is the funny guy, this is one you hate, this is the one you like." A lot of movies do that. They don't really give you a choice. They show you the jock, and he's an idiot, and everybody has to hate him. You have no choice.

I'm inspired when I find out about something that I didn't know was a remake.

Sci-fi is definitely something that I've been wanting to do again since Panic Attack and I want to do it on a feature scale.