Musically, I didn't relate to Berlin. There seemed to be a lot of machine music made there - I don't think I saw a stringed instrument in two years.

There are certain parts of chords that resolve things and tie a bow, and others that keep things open and unanswered.

Instead of just looking back, whiplash-style, I can assume there's something else coming. Time just folds over itself, like origami.

I really love watching the 70s live performance TV series "The Midnight Special" and "The Old Grey Whistle Test". Those are the best performances you've ever seen, and they sound incredible.

I love storms and how the whole house shakes. When I was a kid, there would be lots of thunder and lightning storms, and they would knock the electricity out. We had this oil lantern that had been in my grandfather's homestead at the turn of the century, before there even was electricity. He'd bring it down off the top shelf, and we'd always play cards.

Everything becomes closer once you realize that the world is only as far away as a nap and a meal.

For me, the best part is people who watch the movie and tell me it inspired them to collaborate with their friend who's a photographer or filmmaker.