All the girls who have photos of them at parties, like, "Woo!" - that's what someone's going to see of their grandma.

For me, the best part is people who watch the movie and tell me it inspired them to collaborate with their friend who's a photographer or filmmaker.

I like being swept up in weather and observing it as something beautiful and giant.

I think I prefer the constant renewal. It's almost like sandpapering down any details or any contour of familiarities.

Musically, I didn't relate to Berlin. There seemed to be a lot of machine music made there - I don't think I saw a stringed instrument in two years.

When I stopped touring, it was like trying to stop a bullet train or a giant lead ball falling from a 100 stories up - it's momentum and it doesn't just stop. I drew a line in the calendar and made it a brick wall and just stopped dead. There was no other way. It would've taken another 100 years to slow down slowly. I had to let myself imagine a calendar with no lines; when every single day is being predetermined six months in advance, there's no more fluidity to time.

I've always been a bit wary of keyboards because there's an invisibility to it - you're not really hitting anything.