Probably, on some subconscious level, I was motivated by not wanting to spoon-feed any similar flavors.

I haven't been living anywhere because I've been on tour for the past two years.

The group-effort sound in recording of Sea Lion is like, you really hear all the people in the room and hear them interlocking. Theres a real freight-train energy of all these people at the same time playing.

It's amazing when you find a photo of your grandparents when they were young because it's black and white and the care that they put into their appearance back then was so grown up and specific to that era.

There are certain parts of chords that resolve things and tie a bow, and others that keep things open and unanswered.

There's something about live recordings now that's too hi-fi.

Probably, on some subconscious level, I was motivated by not wanting to spoon-feed any similar flavors.