Playing catch is often the first professional act of the day, it's a transition from personal life to team business. Lastly, as all position players think they can pitch, at least half of us are working on our off-speed stuff likely at the detriment of our elbows and shoulders, but we can't help it. It's too much fun. My changeup has come a long way since high school.

Playing catch is often the first professional act of the day, it's a transition from personal life to team business. Lastly, as all position players think they can pitch, at least half of us are working on our off-speed stuff likely at the detriment of our elbows and shoulders, but we can't help it. It's too much fun. My changeup has come a long way since high school.

In all of my movies I've tried to address the need for man - not just Cubans - to have a dream and to fight for that dream, even when he doesn't achieve it. It's a form of happiness.

The magic of film isn't just because of the big screen, or the acoustics, but the ineffable shared experience of going to the movies.

I don't think that the reality of Cuba is perfect, but it doesn't cleave to the negativity, either, with which some people see it.

There was a time when emigration from Cuba was a definitive separation. There were no visits. In the '80s, '90s, it was incredibly difficult. I'm not the only one interested in this as a filmmaker - other Cuban filmmakers have dealt with it, too, because it's such a part of our reality.

I think that this necessity to travel, to see, it's part of human nature.