The magic of film isn't just because of the big screen, or the acoustics, but the ineffable shared experience of going to the movies.

There was a time when emigration from Cuba was a definitive separation. There were no visits. In the '80s, '90s, it was incredibly difficult. I'm not the only one interested in this as a filmmaker - other Cuban filmmakers have dealt with it, too, because it's such a part of our reality.

Playing catch is often the first professional act of the day, it's a transition from personal life to team business. Lastly, as all position players think they can pitch, at least half of us are working on our off-speed stuff likely at the detriment of our elbows and shoulders, but we can't help it. It's too much fun. My changeup has come a long way since high school.

I don't think that the reality of Cuba is perfect, but it doesn't cleave to the negativity, either, with which some people see it.

It's true that in Cuba there are double standards, there's opportunism, and there is a lack of freedom in some ways.

I think that this necessity to travel, to see, it's part of human nature.

In Cuba and specifically in Havana there's a sort of energy that turns every situation into something unexpected.