When one of my Japanese teacups is broken, I imagine that the real cause was not the careless hand of a maid but the anxieties of the figures inhabiting the curves of that porcelain. Their grim decision to commit suicide doesn't shock me: they used the maid as one of us might use a gun.

We all have two lives: The true, the one we dreamed of in childhood And go on dreaming of as adults in a substratum of mist; the false, the one we love when we live with others, the practical, the useful, the one we end up by being put in a coffin.

The chill of what I won't feel gnaws at my present heart.

The idea of any social obligation ... just the idea of it embarasses my thoughts for a day, and sometimes it's since the day before that I worry, and don't sleep well, and the real affair, when it happens, is absolutely insignificant and justifies nothing; and the case repeats itself and I never learn to learn.

To create, I destroyed myself; I made myself external to such a degree within myself that within myself I do not exist except in an external fashion. I am the living setting in which several actors make entrances, putting on several different plays.

To think is to destroy. The very process of thought indicates it for the same thought, as thinking is decomposing.

Have you ever considered, beloved other, how invisible we are to each other? We look at each other without seeing. We listen to each other and hear only a voice inside out self. The words of others are mistakes of our hearing, shipwrecks of our understanding. How confidently we believe OUR meanings of other people's words.