I want to be a work of art, at least in my soul, since I can’t be one in my body.

Let us sculpt in hopeless silence all our dreams of speaking.

Giving importance to what we think because we thought it, taking our own selves not only (to quote the Greek philosopher) as the measure of all things but as their norm or standard, we create in ourselves, if not an interpretation, at least a criticism of the universe, which we don't even know and therefore cannot criticize. The giddiest, most weak-minded of us then promote that criticism to an interpretation that's superimposed, like a hallucination; induced rather than deduced. It's a hallucination in the strict sense, being an illusion based on something only dimly seen.

When one of my Japanese teacups is broken, I imagine that the real cause was not the careless hand of a maid but the anxieties of the figures inhabiting the curves of that porcelain. Their grim decision to commit suicide doesn't shock me: they used the maid as one of us might use a gun.

Everything stated or expressed by man is a note in the margin of a completely erased text. From what's in the note we can extract the gist of what must have been in the text, but there's always a doubt, and the possible meanings are many.

I had the same sensation as when we watch someone sleep. When asleep we all become children again. Perhaps because in the state of slumber we can do no wrong and are unconscious of life, the greatest criminal and most self- absorbed egotist are holy, by a natural magic, as long as they're sleeping. For me there's no discernible difference between killing a child and killing a sleeping man.

Never having discovered qualities in myself which could attract someone else, I could never believe that anyone felt attracted to me.