Resistance to team play seemed to pour like wet cement through my bones, displacing supple marrow, until I was ballasted with my own contempt.

A woman must wait for her ovaries to die before she can get her rightful personality back. Post-menstrual is the same as pre-menstrual; I am once again what I was before the age of twelve: a female human being who knows that a month has thirty day, not twenty-five, and who can spend every one of them free of the shackles of that defect of body and mind known as femininity.

Each time a mediocre singer performs, he is saying, in effect, "This is good enough for you." The audience, thrust into that familiar American mood of knowing something is wrong but not knowing what it is, unconsciously absorbs the insult and projects it back onto the mediocre performer in the form of inattention, rudeness and noise.

Familiarity doesn't breed contempt, it is contempt.

By sending the contradictory message that the famous are just plain folks on Mount Olympus, America has forged a relentless tension between loftiness and accessibility. Stir in the fact that the inborn talent and intelligence needed to achieve fame are immune to distributive tinkering by government programs and you have a definition of fame certain to produce envious rage: somebody screwed democracy.

I don't mind being regarded as perverted and unnatural, but I would die if people thought I was a Democrat.

Why do I hate people? Who else is there to hate?