I'm a choir girl gone horribly, desperately wrong.

It was a complete dream to work with David LaChapelle. I collected his books as a teenager, and I fantasised that he would direct the video for 'Spectrum' from the moment the song was written. I still can't believe it actually happened, 
and I'm completely overjoyed that he felt such a connection with the song.

I'm really careful with what the music gets put with, and we say no to so much stuff, loads of it, for things that might quadruple the sales of my album. But if it doesn't fit then it doesn't fit, you know?

I made music with my friend, who we called Isabella Machine to which I was Florence Robot. When I was about an hour away from my first gig, I still didn't have a name, so I thought 'Okay, I'll be Florence Robot/Isa Machine', before realising that name was so long it'd drive me mad.

I try to write lyrics so that they won't age, which sort of leaves you with the big subjects like death and love and sex and violence.

I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.

Growing up, I always wanted to be in punk bands, so I'm really enjoying the harder, heavier element. It's always been my dream to have people moshing at my gig, kind of that really feral element of the music coming out more. I love crowd-surfing.