The release of 'Lungs' was so hard. It was terrifying, because it was the first time doing everything. The first experiences of media exposure were almost paralysing. I spent a lot of time crying on the floor of the studio - it sent me a bit mad.

I've got my ideal job. I like to sing, I like to dance, I like to bang drums and dress up, and someone pays me - it's incredible.

The aesthetic came along the way, I think - just through experimenting, and going on tour, and trying stuff out on stage, having fun with it, and not taking it too seriously. If I had a ballgown at home, I'd wear it onstage. If I found something in a charity shop, I'd wear it. That's where it grew from - just wanting to play dress-up.

When I first started, especially because I got the Critics' Choice before I'd released an album, there was a lot of scrutiny on what my character was, what my background was, what colour my hair was. I fought quite hard for the music to overtake the personality aspect.

It's hard to dance with a devil on your back, So shake him off...

I made music with my friend, who we called Isabella Machine to which I was Florence Robot. When I was about an hour away from my first gig, I still didn't have a name, so I thought 'Okay, I'll be Florence Robot/Isa Machine', before realising that name was so long it'd drive me mad.

Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.