The stage is the place I feel comfortable - it's almost as if real life is where I feel most nervous. Conversations are a lot more nerve-wracking.

The only music I was listening to for ages was old soul. So I wasn't listening to a lot of new music - especially indie music.

It's always darkness before the dawn.

I made music with my friend, who we called Isabella Machine to which I was Florence Robot. When I was about an hour away from my first gig, I still didn't have a name, so I thought 'Okay, I'll be Florence Robot/Isa Machine', before realising that name was so long it'd drive me mad.

Touring, and being in a band, it's almost like the other stuff, the other parts of life, get put on hold.

When I am with my family, then I can just sort of switch off. It's kind of weird, because I go back and I go into this bedroom that I have had since I was a teenager. It is like this parallel universe, because one minute I am on the red carpet and then the next I am hiding out in this room I have had since I was 15.

The aesthetic came along the way, I think - just through experimenting, and going on tour, and trying stuff out on stage, having fun with it, and not taking it too seriously. If I had a ballgown at home, I'd wear it onstage. If I found something in a charity shop, I'd wear it. That's where it grew from - just wanting to play dress-up.