Because I'm always working on something, I'm always thinking.

My dream is to collaborate with a mature person.I feel like my talents were being wasted in art school. I would like to try something else, but not the obvious or usual thing.

I understand - and often make fun of - the desire to run to the wall text before running to the painting.

'm very conscious about how the viewing situation [of the Biennale] creates a situation for the viewer who feels pressured. I don't really have any concept of who looks at my work online. I don't think it's viewed that much online.

That's the fantasy dream project, to collaborate with someone who preaches the gospel of art through music.

My Instagram has personal things, like pictures of my home, but generally it's my voice, and that's a public thing. Using my Instagram posts in my art is not about taking my personal Instagram and making it public; it's about understanding and challenging the notion of these free platforms that encourage self-promotion and understanding what they are technically and culturally.

I'm making art and making decisions and editing things. I don't live my life to broadcast it into the art world; I don't see it as my life on the stage.