With this recitation of paraphernalia and detritus, O'Brien manages to encapsulate the experience of an army and of a particular war, of a mined and booby-trapped landscape, of cold nights and hot days, of soaking monsoons and rice paddies, and of the possibility of being shot, like Ted Lavender, suddenly and out of nowhere: not only in the middle of a sentence but in the midst of a subordinate clause.
Francine ProseThe mystery of death, the riddle of how you could speak to someone and see them every day and then never again, was so impossible to fathom that of course we kept trying to figure it out, even when we were unconscious.
Francine ProseWe never believe we're beautiful, no matter how many times we hear it. We never believe it until someone says it in the right way.
Francine ProseA lot of girls who turn into something remarkable start off as irrepressible, confident and a handful.
Francine Prose