Mexico just needs more journalists, and especially more good places to publish and exhibit. There are all kinds of censorship practiced in Mexico, not just violent repression. Perhaps the biggest threat to good journalism here is the massive power of the country's media monoliths - Televisa and TV Azteca - who have 80% of the market. They endlessly saturate the country with propaganda and inanity.

I'm not against anything that anybody might want to try to pull off in fiction. Fiction writing has to, at least, always represent a possibility of absolute freedom.

People in the big rich countries are often extremely dismissive of the small countries. They think nothing that happens there is of any interest or that it matters at all, but, at the very least, with that attitude they miss out on some extraordinary stories.

Interviewing is in some ways the art of memory.

Great fiction has been written out of the very darkest circumstances of our narco violence, and nothing written in either fiction or nonfiction has penetrated that darkness so memorably - you can even say beautifully, a relentless riveting forensic dark beauty that some readers in fact find themselves unable to endure - as Roberto Bolaño's 2666. Especially in "The Part about the Crimes." But here's the thing: nobody would call 2666 a "narco novel."

The writing that most interests me isn't about narcos or sicarios or police or whatever. It's about the victims and the survivors, and about the suffering and trauma that so many in Mexico and Central America endure, and that is all around us whether we notice it or not.

There is a culture of corruption in many parts of the Mexican media, of course. It seems that there are fewer and fewer media outlets that permit authentic free expressions. But Mexico also has extraordinary journalists who, despite the dangers they face, have also been leading the way in this battle, who've really played a role in keeping the cause of justice alive in the Ayotzinapa case. And no matter what, they'll keep doing that.