I wouldn't mind getting emotionally involved with a woman.

Color harmony was thrown out years ago, as restrictive chains were broken forming my free style.

For example, I like using strong Greek and Roman Renaissance characters as part of my series.

When I came into boxing, I brought it to the next level with adverts and doing pantomime and people just got jealous of me doing that.

My trainer, George Francis, used to train a lot of African boxers. They're hungry guys, man. They've got no trainers, got nothing. They're so hungry to do boxing, to make some money.

From my sketch files I'll find a pose that shows the emotion behind a particular character's story.

It's like a kettle. If it's a kettle, you turn the kettle off, you know what I mean? I wish I could put a hole in my head and let the steam come out. The steam was getting so high and the pressure was just getting a little bit much for me.