I'm a living example of getting into films backwards. Merely by accident. Exposure to films and ideas is the best thing that colleges can do.

Scriptwriting is the toughest part of the whole racket... the least understood and the least noticed

Any kind of dictatorship, I'm uneasy. I just don't like dictators. I don't like crowds. I don't like hordes, and I don't like other people telling me what to do. This is probably a reaction against people telling me what to do when I was a kid. I won't join any group, espouse a cause against some other people.

I think the human spirit is a real powerful spirit. It has no limits and it has no ends. And I hate to see it put in any kind of box - pink or green.

The best way to make friends with an audience is to make them laugh. You don't get people to laugh unless they surrender - surrender their defenses, their hostilities. And once you make an audience laugh, they're with you. And they listen to you if you've got something to say. I have a theory that if you can make them laugh, they're your friends.

I was the enemy of the major studio. I believed in one man - one film. I believed one man should make the film. And I believed the director should be that one man. One man should do it - I didn't give a damn who. I just couldn't accept art as a committee. I could only accept art as an extension of an individual.

Making money, getting yourself status in this world is not everything at all. But it has become everything in America. That you really have to get going and keep up with the Jones'. Get a house and a car and other things. And pretty soon you're stymied. Things own you.