There's music in my films but you seldom hear it. Very early I got the idea that the important things in films were people - the actors. They are the intermediary between the director and the audience. They make direct contact. People to people communication.

Things own you. That's the trouble with capitalism. Things own you. With communism and fascism - ideas own you. One idea and you can't have any other.

I think of the medium as a people-to-people medium, not cameraman-to-people, not direction-to-people, not writers-to-people, but people-to-peopleYou can only involve an audience with people. You can't involve them with gimmicks, with sunsets, with hand-held cameras, zoom shots, or anything else. They couldn't care less about those things. But you give them something to worry about, some person they can worry about, and care about, and you've got them, you've got them involved.

Film is a disease. When it infects your bloodstream, it takes over as the number one hormone; it bosses the enzymes; directs the pineal gland; plays Iago to your psyche. As with heroin, the antidote to film is more film.

There are a lot of people who believe that the individual can't make it himself. And that's why people want to join up in various herds - herd formation. So you become part of a herd, a group. Group power of some kind. There's an awful lot of group power people in our country [the USA] - Black power, Chinese power, Indian power, woman power. Everyone is putting in together.

My Advice to Young Filmmakers is This: Don't Follow Trends. Start Them!

Man's greatest advances are weapon advances. Culture follows from weaponry, we are militant like the animals and birds - defending our homes. No matter how far back you go in history, along with the struggle for existence, along with the survival necessities - kill or be killed, eat or be eaten - there is a hunger for something spiritual. He invents God, prayers, incantations to something above him. Why? This is not brought out - this is not weapon culture.