I was the enemy of the major studio. I believed in one man - one film. I believed one man should make the film. And I believed the director should be that one man. One man should do it - I didn't give a damn who. I just couldn't accept art as a committee. I could only accept art as an extension of an individual.

I always felt the world cannot fall apart as long as free men see the rainbow, feel the rain and hear the laugh of a child.

Someone should keep reminding Mr. Average Man that he was born free, divine, strong; uncrushable by fate, society, or hell itself; and that he is a child of God, equal heir to all the bounties of God; and that goodness is riches, kindness is power, and freedom is glory. Above all, every man is born with an inner capacity to take him as far as his imagination can dream or envision-providing he is free to dream and envision.

I have a feeling that demonstrations don't accomplish anything. That they become fads. I also feel that demonstrations wouldn't go on unless there is a TV camera. That part of it all is performance for the media. I didn't know whether they are completely honest.

There's music in my films but you seldom hear it. Very early I got the idea that the important things in films were people - the actors. They are the intermediary between the director and the audience. They make direct contact. People to people communication.

Any kind of dictatorship, I'm uneasy. I just don't like dictators. I don't like crowds. I don't like hordes, and I don't like other people telling me what to do. This is probably a reaction against people telling me what to do when I was a kid. I won't join any group, espouse a cause against some other people.

When you get to political machines that can control a state, then you're really into organized crime - almost. You're fighting a political mafia.