In a stage play, you kill the leads and they come out for a bow - in a movie, they don't come out for a bow, they're dead.

If I'm intimidated, I shouldn't be directing a movie. I gotta treat 'em as characters, not as stars. It's hard to not treat Marlon Brando as a legend, a star, it's difficult not to treat Robert De Niro as a star, but that had to go away very fast after I knew them, because I had to work with them. I'm the director, I'm the boss. They're looking to me for guidance.

Once you get a character, you lock it in your heart - it's there.

I'm most proud of my kids, for one, and my family and my parents. Outside of that - what am I proud of? I don't know. I don't look back, I just go forward. I'm just proud of the fact that my parents were immigrants and we had nearly nothing, and all of the sudden, with the help of a lot of people and my parents as a model, I amounted to something. And I'm doing some very decent work.

I don't look back, I just go forward. I'm just proud of the fact that my parents were immigrants and we had nearly nothing, and all of the sudden, with the help of a lot of people and my parents as a model, I amounted to something.

I have no idea what a British sensibility or a British sense of humor is. I have no concept of what that is. I have no concept of what American sensibility is. I was born in Great Britain, but I was only there for six months, and we moved to Belgium, where I grew up. I love Britain, I lived there for nine years doing shows and things, but I don't know what a British sensibility is. I'd like to have someone tell me what an American sensibility is.

Sure there's a difference with puppet-craft - who cares? I don't care about the puppet-craft, I care about what works. Who cares about the puppet and craft? It's not about that. It's about compelling an audience, and touching an audience in some way.