Sure there's a difference with puppet-craft - who cares? I don't care about the puppet-craft, I care about what works. Who cares about the puppet and craft? It's not about that. It's about compelling an audience, and touching an audience in some way.

I'd like to read a book sometime. I've never read a book before. That'd be an adventure. I understand they have pages and everything. Yeah, I've got to do that sometime.

Impossible to see, the future is.

Once you get a character, you lock it in your heart - it's there.

I'm always amused that people zero in on one thing, and it's the wrong thing to zero in on, but nevertheless, the reason they do that is because the voice is what they know - the voice represents everything about the character, that's why.

I just want to work with talented people who are enjoyable to be with, and take big huge risks from high comedy to deep, dark, brooding drama, to thriller. I just want to go back and forth.

I've always wanted to do non-comedies, I've always done dramas, comedies, music, and I always like to bop around and do different things.