Sure there's a difference with puppet-craft - who cares? I don't care about the puppet-craft, I care about what works. Who cares about the puppet and craft? It's not about that. It's about compelling an audience, and touching an audience in some way.

I just want to work with talented people who are enjoyable to be with, and take big huge risks from high comedy to deep, dark, brooding drama, to thriller. I just want to go back and forth.

I've always wanted to do non-comedies, I've always done dramas, comedies, music, and I always like to bop around and do different things.

In a stage play, you kill the leads and they come out for a bow - in a movie, they don't come out for a bow, they're dead.

I've done TV for tons and tons of years, so I'm not crazy about doing more TV, but with films, all I want to do are different projects that aren't all the same.

Impossible to see, the future is.

I was a weird kid. I should've been gay because I listened to a lot of Broadway musicals. I don't know why I'm not gay.