Our humanity has been compromised by those who use Gestapo tactics in our war. The longer we stand idly by while they do so, the more we resemble those 'good Germans' who professed ignorance of their own Gestapo.

After 9/11, we realized that all these silly culture wars, and arguing about rock lyrics... who cares? You know, we, for some reason, remembered what our real problems are.

Yul Brynner's performance in "The King and I," . . . can no longer be regarded as a feat of acting or even endurance. After 30-odd . . . Mr Brynner is, quite simply, The King.

Our humanity has been compromised by those who use Gestapo tactics in our war. The longer we stand idly by while they do so, the more we resemble those 'good Germans' who professed ignorance of their own Gestapo.

The truth is that a lot of plays aren't political at all. In American theater history, political theater has tended to crop up when there's a crisis, a national crisis.

Someday we'll learn the whole story of why George W. Bush brushed off that intelligence briefing of Aug. 6, 2001, 'Bin Laden Determined to Strike in U.S.' But surely a big distraction was the major speech he was readying for delivery on Aug. 9, his first prime-time address to the nation.

The most wonderful street in the universe is Broadway. It is a world within itself. High and low, rich and poor, pass along at a rate peculiar to New York, and positively bewildering to a stranger.