The actor doesn't merely command the stage, he seems to own it by divine right.

The most wonderful street in the universe is Broadway. It is a world within itself. High and low, rich and poor, pass along at a rate peculiar to New York, and positively bewildering to a stranger.

I'm always struck by the kids who turn up in New York and LA, and places in between. Chicago. Wanting to do theater, wanting to do independent film. Wanting to break into television or radio.

Someday we'll learn the whole story of why George W. Bush brushed off that intelligence briefing of Aug. 6, 2001, 'Bin Laden Determined to Strike in U.S.' But surely a big distraction was the major speech he was readying for delivery on Aug. 9, his first prime-time address to the nation.

To me, the fun part of both jobs is to always try to push the discussion and debate forward in some way. The most fun part of being a theater critic for the Times was always to try and champion something that maybe other people didn't like, or that was produced under obscure circumstances or had to fight for its life. And I would say in the column what I try to do is in some ways related in that I'm trying to fight for a point of view. I'm not trying to be a kingmaker in either job, and don't want to be, and shouldn't be.

Our humanity has been compromised by those who use Gestapo tactics in our war. The longer we stand idly by while they do so, the more we resemble those 'good Germans' who professed ignorance of their own Gestapo.

There’s nothing entertaining about watching goons hurl venomous slurs at congressmen like the civil rights hero John Lewis and the openly gay Barney Frank. How curious that a mob fond of likening President Obama to Hitler knows so little about history that it doesn’t recognize its own small-scale mimicry of Kristallnacht.