This disease they call 'rap' - some kind of rhythmic pulse is going by, while some sociopathic idiot is belching out grade school poetry.

When I came on board, it was halfway through his [Frank Sinatra] 72nd year, and when he did his last show he was gaining on 80. He knew it, the audience knew it, and there was never any attempt to conceal such a thing. His vision wasn't what it had once been. His hearing wasn't. His memory was fading. He knew these things. He was very much in need of help, and I was so happy to be able, in a small way, to render that help.

I've never heard of any one single artist being the subject in an ongoing series of radio programs for decades. Bearing this in mind, that's the kind of thing Frank Sinatra brings out in his audience, his followers. It's personally satisfying to me because his music by and large was the greatest quality of lyrics, melody, orchestration and, of course, his magnificent approach to telling a story.

Frank Sinatra was very devoted to what it was he did. At the end of his life, what he had left - there have been accolades, mementos, festivals, superlatives, all that stuff. He's done movies, TV, done this, done that - what he had left was a love of his audience, and that kept him alive.

For many, many years I wouldn't sing 'My Way.' It seemed pretentious for me to sing [my father's] song 'My Way.' Now it must be in the show to help us tell the story.

Tony Bennett is still giving concerts, still singing. It's keeping him alive. He's in his late 80s now and he keeps going and going. I maintain, God bless him, it's this devotion to duty and working and being in front his audience.

So what's happening with the audio/visuality, for the first time we are doing the music - the people who would come to the concert love the music - they loved him and loved his music - for the first time in concert it's not only the music. Now it's time to know the man. We know the music, but what was the man like?