Being black and speaking properly are not mutually exclusive. My father was an African, and he spoke beautifully at home. Nelson Mandela speaks beautifully. Should Mandela put his hat on backwards and say, 'Yo, homey, this is Nelson. Yo, Winnie, yo, this is def'?

When I've mentioned things that I thought only happened to me, or thoughts that I felt had only had crossed my mind, the audience response indicated that they seemed to have happened to, or been thought of by many people.

A technique I developed quite naturally to help me make smooth transitions was to use a word or phrase from the next routine in the preceding one.

In addition to listening to the audience's laugh, you want to listen to their silence. Is it bored or interested silence? The silence is quieter and filled with energy when they're interested. You can hear a pin drop. When they're bored, you can always hear it.

I don't like the fact that most black people or black comedians have to present themselves in a flamboyant way. It's good if you can do that, but I don't like to think that's the way all black comedians are. I'm not that type.

I advise treating the studio audience like a nightclub audience because that's the reason you're doing television - to get them to come see you in a nightclub.

Be prepared to cut your little extra lines that come after a big punchline and move on to the next joke or routine to give your set more punch and crispness. You can keep them in your set, but if the audience applauds your big line, don't do your tag when it dies down, just move on.