If I'm crisp and economical in my delivery, have smooth transitions, movement and animation, and flights of fancy, that would get me an A.

I advise treating the studio audience like a nightclub audience because that's the reason you're doing television - to get them to come see you in a nightclub.

Moving to Australia was not a career move, but a quality of life issue. It has no guns, no God, and no gangster rap. As an Ethiopian cab driver said to me the other day when I was returning from a gig in Sydney, Australia is a peaceful, democratic place. I like the relatively stress free lifestyle. It's worth the drop in income.

On a good night, I'm just into the flow and seeing the pictures and words in my mind clearly before I say them. On a bad night, which to be honest are nowhere near as bad as when I was starting out, I just concentrate on performing the routines correctly. I focus on my delivery.

Being black and speaking properly are not mutually exclusive. My father was an African, and he spoke beautifully at home. Nelson Mandela speaks beautifully. Should Mandela put his hat on backwards and say, 'Yo, homey, this is Nelson. Yo, Winnie, yo, this is def'?

Don't try to give a funny opinion; give your opinion in a way that will be funny.

Ideally, you want to be in a fifty-fifty power-sharing arrangement with the audience - both of you are there for a mutually enjoyable experience.