[Paul McCartney] never, at the time, was going back to leaning back on the roots of his old band. He always built upon where he was, which was in London. And he didn't overuse synthesizers. He used them just enough. It's such a cool sound.

I don't know any artists or painters, like, "Oh that painting group." I want to write down this idea of a group of artists who treat it like a band. Like, "Who made the painting?" "All four of us did."

I spent most of my 20s playing music. I was in a band and we worked really hard and did not get very far. I was really close to being this guy who used to be in this band who is still playing and trying to get some recordings together, but I got really lucky. That's never lost in me, that I went through Saturday Night Live.

I wish I was one of those people who could write script after script and pages and pages. I can only aspire to do that.

I like it when people are driven. I love that in any field of work, in architecture or whatever. Like Lorne Michaels - he pays attention to every detail.

I think I was a terrible husband, I think I'm a terrible boyfriend.

I'm obsessed with my 20s. I buy things that I wanted in my 20s. It's weird; it's a weird thing that I didn't grow out of.