I tend to think that there is a sophistication to everything at 'Saturday Night Live,' including the sketches.

There's no judgment on bands that continue on who aren't popular; some people get enjoyment out of it. I'm just not one of those people. I wanted attention.

I came away from 'Saturday Night Live' feeling very well represented. I felt, and I still feel like, they let me do so much stuff that I wanted to do. Stuff that I almost didn't even know what it was.

"Macarena" is a great song. If music is something you can remember - the worst crime music can do is to be forgettable.

I love 'Saturday Night Live,' and I really feel like people who have left before me have always stayed with the show. They never really quite left, which is nice. Everyone kind of stays close.

As far as paintings go, I always think about what it's like to move them and hang them up and hope they don't drop. To me, that seems like a big gamble, but that comes from me not being a painter.

Some rules are good. For example, off the top of my head, let's say a stand-up comedian or a talk show host wearing a nice suit - as a ponderer, I grew up like, "Why don't they just go up there in their army jacket? They're fine!" Then little by little, you think, "You know, it's kind of nice to look nice, like you made the effort." Then you're back at rule one; that was the original rule.