I tend to think that there is a sophistication to everything at 'Saturday Night Live,' including the sketches.

I have an inability to relax. I try to make every day a work day. I get pleasure from work... I try to think of sketch ideas, stand-up pieces. I am incapable of leisure and leisure time.

It's already years ago now, but there's that South Korean music artist Psy, who had that hit song and it was a hit song here. I'm like, "Wait a minute. There's a chance. There's a way we can have language not be such an important part of comedy."

[Paul McCartney] never, at the time, was going back to leaning back on the roots of his old band. He always built upon where he was, which was in London. And he didn't overuse synthesizers. He used them just enough. It's such a cool sound.

I want it all... fast. I want to be married, I want to live together... and then somewhere around a year or two years, I get freaked out. I freak out emotionally and then I actually feel like 'Oh my God, who's this stranger in my house?'

In my opinion, there's this new phenomenon where guys used to talk about cars a lot in the past. But, more and more it's becoming them talking about recording studios.

I was in a band and it wasn't working out the way I wanted. Then somehow, little by little, I started doing a couple comedy things. All of a sudden I was being asked to do more and more comedy things. There was this message from the world saying, "Maybe you should go this direction."