When working on my choreography I am not always receptive to outside suggestions or opinions. I believe that if you have something in mind in the way of a creation, such as a new dance, a sequence, or an effect, you are certain to come up with inaccurate criticism and damaging results if you go around asking for opinions.

But I do nothing that I don't like, such as "inventing" up to the arty or "down" to the corny. I happen to relish a certain type of corn. What I think is the really dangerous approach is the "let's be artistic" attitude. I know that artistry just happens.

When you have a Dancing partner, there's always gonna be a moment where the girl's gonna cry, Ginger didn't do that. But, most every other girl I've worked with have cried because they said "aah, I can't do it" and I have to go "Yes, you can, Shut up!" and they do do it.

Of course, Ginger was able to accomplish sex through dance. We told more through our movements instead of the big clinch. We did it all in the dance.

If your gonna go down, go down swinging!

I don't like top hats, white ties, and tails.

I just told my agent to forget all other projects for me. I was waiting for Audrey Hepburn. She asked for me, and I was ready. This could be the last and only opportunity I’d have to work with the great and lovely Audrey Hepburn and I was not missing it. Period.