As an improviser I'm now pretty comfortable with trios, so I'm thinking of working up to quartets.

There are always things to examine. What's great is not feeling that I have to refuse any of them. Maybe no good from a PR perspective, but from the point of view of everyday life, it keeps things interesting.

I remember playing football dressed in peculiar costumes with some friends in France and laughing so hard we couldn't even stand up, let alone kick the ball.

It's like learning a language; you can't speak a language fluently until you find out who you are in that language, and that has as much to do with your body as it does with vocabulary and grammar.

We play melodic music, we play songs, we play all kinds of things and when you improvise you don't just shut out different languages, you use all the languages that you have.

I write with a mouse, because it has no psychological associations or memories or habits associated with it.

I started getting interested in the notes that I could hear being generated when I hammered on while playing a classical guitar.