As an improviser I'm now pretty comfortable with trios, so I'm thinking of working up to quartets.

Well, I think music for kids is never anything but experimental is it?

You could say that everything the musicians have learned and known over the years, all of their technical resources, are in a dialogue with the things they are discovering every time, as if it was the first time.

I started getting interested in the notes that I could hear being generated when I hammered on while playing a classical guitar.

As an improviser I'm now pretty comfortable with trios, so I'm thinking of working up to quartets.

If you write songs you have an idea how they're going to sound.

We play melodic music, we play songs, we play all kinds of things and when you improvise you don't just shut out different languages, you use all the languages that you have.