I write with a mouse, because it has no psychological associations or memories or habits associated with it.

Well, I think music for kids is never anything but experimental is it?

There are always things to examine. What's great is not feeling that I have to refuse any of them. Maybe no good from a PR perspective, but from the point of view of everyday life, it keeps things interesting.

Improvised music involves a lot of intuition and I like developing intuition.

I think that one of the things that influences me most as a composer is to what extent I can deconstruct and reconstruct the material that I'm working with.

I remember playing football dressed in peculiar costumes with some friends in France and laughing so hard we couldn't even stand up, let alone kick the ball.

As an improviser I'm now pretty comfortable with trios, so I'm thinking of working up to quartets.