If you do not see what is around you every day, what will you see when you go to Tangiers?

A photographer who wants to see, a photographer who wants to make fine images, must recognize the value in the familiar.

Consciously and unconsciously, an artist engaged in serious work is always raising or dealing with the question, 'What really matters?'

Thirty-six satisfactory exposures on a roll means a photographer is not trying anything new

There's only one rule in photography - never develop colour film in chicken noodle soup.

The camera points both ways. In expressing the subject you also express yourself.

If you do not see what is around you every day, what will you see when you go to Tangiers?