Consciously and unconsciously, an artist engaged in serious work is always raising or dealing with the question, 'What really matters?'

There's only one rule in photography - never develop colour film in chicken noodle soup.

A photographer who wants to see, a photographer who wants to make fine images, must recognize the value in the familiar.

If you do not see what is around you every day, what will you see when you go to Tangiers?

Seeing, in the finest and broadest sense, means using your senses, your intellect, and your emotions. It means encountering your subject matter with your whole being. It means looking beyond the labels of things and discovering the remarkable world around you.

Thirty-six satisfactory exposures on a roll means a photographer is not trying anything new

Consciously and unconsciously, an artist engaged in serious work is always raising or dealing with the question, 'What really matters?'