The artist's business is to take sorrow when it comes. The depth and capacity of his reception is the measure of his art; and when he turns his back on his own suffering, he denies the very laws of his being and closes the door on everything that can ever make him great.

Things good in themselves ... perfectly valid in the integrity of their origins, become fetters if they cannot alter.

... freshness trembles beneath the surface of Everyday, a joy perpetual to all who catch its opal lights beneath the dust of habit.

The world has become too full of many things, an over furnished room.

... except in the eyes of a few fanatics (untrustworthy as all lovers) an unmitigated expanse of water is dull even when blue: not in a small boat, where you are part of the winds and currents and tides and are allowed to hold the tiller now and then; but from those decks which the shipping companies with subconscious insight try to make as suburban as possible so that the impact of the monster outside may be lessened, and where the unrecognized boredom is so deep that a wispy smear of smoke on the horizon will queue up a crowd as if for a Valkyrie passing.

A part of all art is to make silence speak. The things left out in painting, the note withheld in music, the void in architecture - all are as necessary and as active as the utterance itself.

I can't get over the exciting beauty of New York - the pencil buildings so high and far that the blueness of the sky floats about them; the feeling that one's taxis, and shopping, all go on in the deep canyon-beds of natural erosions rather than in the excrescences of human builders.