I'm writing and putting together my next few things. Even during the Red Army process, I've been writing and developing things, so that now that I'm done and with efforts supporting it throughout this process, I'm armed and ready to go with some things that I'm really passionate about.

One ironic thing is that although (the Soviet Union) was one of the most oppressive systems, with no respect for the individual, it somehow produced the freest hockey on the planet. These guys, when they got on the ice, it was like watching jazz. They could do anything. I find that a paradox. It's interesting because I think the North American style was a lot less free. It was not encouraged to be creative.

Sports is like literature. People watch it and if it's beautiful and it's non-violent, whatever messages that you see, people can read into it and say, "Wow! You know what? Whatever they're doing over there, it's extraordinary, and maybe that culture is superior to ours in certain ways."

I'm very excited about some of the novels that I have adapted. I think they're equally as powerful, if not more. Going After Cacciato (by Tim O'Brien) is something I'm very passionate about.

I've had a lot of coaches in my life, but I've only had a few very good ones. So, I try to take from the best ones and apply those to what I do and think and with anyone I work with in terms of how to motivate people and work with them.

I don't want to get into being too hockey centered, but I just felt like the late 70's and 80's into the 90's was the right time period to tell the story.

I found a lot of stuff that's never been seen before. That was the goal: to not use cliché Cold War footage but give people a sense of the place and setting. It's a field you still need. At first it was a lot of fun, and then later it became a little bit intimidating. "Oh my God, I've got so much footage. Where am I going to put it? What am I going to do?" I ended up really only reviewing about 20 to 30 percent of what I had. So it was a task.