I kind of grew up in a commune, but it wasn't a hippie commune necessarily, but it was a big house with a lot of families, we all lived together and it was the 70s, whatever that means.

It's funny, people talk about the characters they play and who do you sort of see yourself as or which ones maybe were closest to you and in some ways.

The craft of putting together a performance on film or television is incredibly intricate; you're putting together a story that is completely out of order, that you have to make some sense of, that you have to keep some coherence to the story, to the character.

If we're talking music I could go on and on and on.

I wanted to be in an anti-gravity machine so bad! Maybe a different time, a different place.

One thing I loved about New Zealand was the indoor/outdoor lifestyle of the place.

I think that music is still a mystery to most people. It kind of goes through most people without a specific thought. They feel the music, which is what's supposed to happen. They're not supposed to be curious about who wrote the music; they're supposed to feel what the show is trying to get them to feel. So if I help get that feeling across, that's good enough for me.