Live concerts were to train the ears and to introduce, constantly, new musical ideas to the audience so the next time they showed up or the next record they would be ready and receptive.

I don't think there's a problem with people discovering the music unless there's no way to get to them. That's the problem that you always have.

If you've ever had to recall your past in some way and you open a drawer of old photographs that your parents kept, there are always pictures of you smiling and charming, and then a bunch of people you don't know who they are. Could be aunts, uncles, could be the postman for all you know. Who are these people? Your parents are never in the picture, because they are the ones taking them. So you've got these unrelated images that are disconnected from your memories.

Frank [Zappa]'s music was never for the mass audience. His music contains specific kinds of information that you won't find elsewhere in rock and roll.

It's one thing to write the music, it's another thing to write it down, it's another thing to play it, and something else altogether again to learn how to play it. These are the elements that are fascinating, and, you know, move my world.

Frank [Zappa] was not a big fan of having lyrics, but sometimes he had things to say that lent themselves to lyrics.

Musicians more than most people are in the moment. That's the dual nature of that job.