I don't think there's a problem with people discovering the music unless there's no way to get to them. That's the problem that you always have.

I never dreamed that my future would be my husband's past. But it's such a huge past in terms of the recorded content.

It's the ultimate identity theft when you start messing with somebody's work. Thinking that you could edit the work, or mix it differently, or re-EQ it, or make claims about it that aren't true.

I think ingenuity is part of our DNA. That plus curiosity, plus the willingness to commit.

Live concerts were to train the ears and to introduce, constantly, new musical ideas to the audience so the next time they showed up or the next record they would be ready and receptive.

When you have a single composer writing his work, it shouldn't be doled out in singles based on the length of a piece.

You can't get a guitar player like Dweezil without his commitment to the work that it takes A) to be the musician that he is and B) to the music itself.