The problem with composers is that they are the most unrequired job in America.

Musicians more than most people are in the moment. That's the dual nature of that job.

I don't think there's a problem with people discovering the music unless there's no way to get to them. That's the problem that you always have.

It's one thing to write the music, it's another thing to write it down, it's another thing to play it, and something else altogether again to learn how to play it. These are the elements that are fascinating, and, you know, move my world.

When you have a single composer writing his work, it shouldn't be doled out in singles based on the length of a piece.

It's the ultimate identity theft when you start messing with somebody's work. Thinking that you could edit the work, or mix it differently, or re-EQ it, or make claims about it that aren't true.

I never dreamed that my future would be my husband's past. But it's such a huge past in terms of the recorded content.