Brian is an archetypal character, a bit like Don Juan, which is how I play him. He's a blast to play. He believes unapologetically in his freedom. He holds nothing back. Something I'm learning is, you can't hate the character you play. If I think my character is an asshole, that's all that will come across. He is drawn in an extreme way, but that doesn't mean he's not a person.

Criticism is a surreal state, like a good drug gone bad. When it's bad you wish it would stop, and when it's good, you can't get enough.

I mean, let's face it, it's 2000 and people are beginning to wake up on some level. I think that, as I was saying earlier, there's just no denying the impact that showing people the truth can have. It allows people to understand themselves, and when you understand yourself you can understand the people around you. And then you can begin to let go of all the bullshit that leads into things like world wars, racism, stereotypes, and bigotry.

Some say that Jesus is the rock, or the anchor. I say that your friends and family are your anchor. And you can REALLY hold their hands, not just sing about it. No disrespect to George Jones.

I want to keep developing. I want to become relaxed in my own work and go deeper. Just growing and studying and trying new things and hopefully having professional access to work that's good and interesting. I don't want to be on the treadmill of artificiality.

I'm straight, but the character was too important to me to muddle his world with my private life. As a nobody, I got away with that deflection. I think it may have helped to introduce Brian as a believable gay man. Maybe not. However it played, it's been out of my hands for a long time.

You have to like your character, because if you don't, no one else will either.