I think a lot of creative people have no sense of numbers and economics.

You can't have an actor where the audience says, aw, that poor, sweet guy. You got to get somebody who's, like, nondescript in a way or just somebody that looks a little like they should get it. So this is all I learned actually learn from Lucy [Ball].

I really wasn't too interested in writing "Father Knows Best" and "Ozzie And Harriet." I thought they were pleasant enough, but it wasn't really what I wanted to do.

I grew up with two sisters, no brothers. There was Ronny who produced "Happy Days" for me and my sister Penny who acts, directs - she does everything. So they were very strong women in my life.

One of my thrills of the business is to find young people, there's a window. I like young people who are in that brief window between on their-way-up and rehab. In that window I can make stars. It's not really true but it's not so far off.

I was very proud of that, of taking women and making them vulnerable and so I continued doing that. Right after Beaches I did "Pretty Woman", then I did "Frankie and Johnnie" and then I did "Other Sister" and "Princess Diaries" so that helped me get into the vein there of understanding women and trying to make them very pretty and very interesting.

I always remember writing a page of jokes for a comedian and handing it to him backstage at a club and he read it and then took his cigarette lighter and lit the page on...