You've got a number of things that take place that are peculiar to still photography. One: how a picture looks - what you photograph is responsible for how a photograph looks. In other words, it's responsible for the form.

I'm trying to learn more and more about what's possible.

I'm a New Yorker. Matter of fact, the more I'm in places like Texas and California, the more I know I'm a New Yorker. I have no confusions. About that.

If you run into a monkey in some idiot context, automatically you've got a very real problem taking place in the photograph.

People are just dumb. They misunderstand.

The only thing that's difficult is reloading when things are happening. Can you get it done fast enough?

When I'm photographing, I don't have that kind of nonsense running around in my head. I'm photographing. It's irrelevant in the end, so it doesn't mean a thing. It's not going to make me do better work or worse work as I can see it now.