There is a transformation, you see, when you just put four edges around it. That changes it. A new world is created.

When I'm photographing, I don't have that kind of nonsense running around in my head. I'm photographing. It's irrelevant in the end, so it doesn't mean a thing. It's not going to make me do better work or worse work as I can see it now.

The game, let's say, of trying to state photographic problems is, for me, absolutely fascinating.

I photograph to see what the world looks like in photographs.

At times people in the press were also useful to me.

The museums want large crowds coming to the shows - it's the same thing. It's hype. Absolutely. But there's nothing evil about it.

I don't think time is involved in how the thing is made.