The contest between form and content is what, is what art is about - it's art history. That's what basically everybody has ever contended with. The problem is uniquely complex in still photography.

The only thing that's difficult is reloading when things are happening. Can you get it done fast enough?

Let's say that what's out there is a narrative. Often enough, the picture plays with the question of what actually is happening. Almost the way puns function.

You're talking about meaning. I want to talk about the picture.

What I know bores me.

I don't know if I'm really the fastest. It doesn't matter.

There are photographers whose shows I try to make it my business to see, if I'm in the city. There are photographers I have no interest in at all.