Let's say that what's out there is a narrative. Often enough, the picture plays with the question of what actually is happening. Almost the way puns function.

A photograph can look anyway. It just depends basically on what you photograph.

My intention is to make interesting photographs. That's it, in the end. I don't make it up. Let's say it's a world I never made. That's what was there to deal with.

It was interesting; it's an interesting photographic problem [those demonstrations in the late Sixties]. But if I was doing it as a job, I think I'd have to get paid extra.

Nobody sold prints then and prices didn't mean anything. In terms of earning your living, it was a joke.

Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.

Great photography is always on the edge of failure.