I'm talking about technical goofs. I'm pretty much on top of it. The kind of picture you're referring to would have to be more about the effects of technical things, technical phenomena, and I'm just not interested in that kind of work at all.

[Me book is] called Stock Photographs. It was done at the Fort Worth livestock show and rodeo. I was commissioned to shoot there by the Fort Worth Art Museum for a show. I probably shot a total of fourteen days, give or take.

It was interesting; it's an interesting photographic problem [those demonstrations in the late Sixties]. But if I was doing it as a job, I think I'd have to get paid extra.

I'm pretty fast with a camera when I have to be. However, I think it's irrelevant.

Every photograph is a battle of form versus content.

I don't know how to say easily what I learned. One thing I can say I learned is how amazing photography could be.

I don't know if I'm really the fastest. It doesn't matter.