There is nothing as mysterious as a fact clearly described.

I don't know if I'm really the fastest. It doesn't matter.

My intention is to make interesting photographs. That's it, in the end. I don't make it up. Let's say it's a world I never made. That's what was there to deal with.

Aside from women, I don't know. My work doesn't function the way Robert Frank's did.

It's got to do with the contention between content and form. Invariably that's what's responsible for its energies, its tensions, its being interesting or not.

A photograph can look anyway. It just depends basically on what you photograph.

You use the vertical edge as the point of reference, instead of the horizontal edge. I have a picture of a beggar, where there's an arm coming into the frame from the side. And the arm is parallel to the horizontal edge and it makes it work. It's all games, you know. But it keeps it interesting to do, to play.